| Orchestrion | 
| Artist: Pat Metheny
Label: Nonesuch
Category: Music
List Price: $18.98
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Seller: moviemars-cds
Rating:  56 reviews
Sales Rank: 3,643
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.2
MPN: 516668
UPC: 075597984736
EAN: 0075597984736
ASIN: B002U33GTW
Publication Date: January 27, 2010
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Orchestrion | | • | Entry Point | | • | Expansion | | • | Soul Search | | • | Spirit of the Air |
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Product Description
Grammy Award-winning composer-guitarist Pat Metheny s Orchestrion may turn out to be his most talked-about, argued-over undertaking. It s already his most adventurous. With Orchestrion, Metheny redefines the concept of the solo album. He is indeed the only live musician on this recording, but it s the opposite of, say, his 2003 One Quiet Night, in which Metheny hunkered down in his home studio to explore all the musical possibilities of one new guitar. Here he works with an extraordinary set-up of acoustic instruments, assembled for him by a visionary team of inventors. What they have created in collaboration with Metheny is a veritable made-to-order solenoid orchestra that includes, among other things, bass, pianos, percussion, marimbas, guitar-bots, and a mellifluous cabinet of carefully tuned bottles. Using one-of-a-kind software programs and solenoid switches, Metheny controls each instrument via his guitar and an array of pedals.
Orchestrion was influenced by the primitive but evocative player-piano technology of yesteryear that has fascinated Metheny since he was a child. The player piano inspired inventors of that age to create the orchestrion, a large mechanical multi-instrument device that imitated the sound of an orchestra. Metheny brings this concept into the 21st century, composing and playing five ambitious pieces with his tailor-made, sophisticated, musically dynamic ensemble. Orchestrionics is what Metheny calls this new method of performing. The resulting album, recorded in midtown Manhattan s MSR studio after months of experimentation at home, is a marvel of the digital era, yet the record sounds beautifully, stirringly, human. In other words, timeless.
To witness Metheny improvising on guitar while surrounded by these instruments, digitally triggered to play the scores that Metheny has painstakingly written for each of them, is indeed a wonder. Eager fans have already made sell-outs of the first dates of Metheny s Orchestrion tour. But hearing is truly believing: there is not a single note on Orchestrion that sounds mechanical, and some tracks, like Expansion, have a thrillingly improvisational feel to them.
Metheny has gone into uncharted territory: every day in the studio with these instruments was a revelation as he began to comprehend what they were capable of musically and, more importantly, what he himself could achieve in their presence. They were not a substitute for the interaction of other players and this does not signal a shift from Metheny s other collaborative ventures. In fact, Metheny most recently proved his love for ensemble playing with his 2008 tour-de-force trio release, Day Trip.
Orchestrion is all about innovation. As Metheny puts it, This experience so far has provided me with a self-imposed challenge that has proven to be enormously difficult and time-consuming, but the early results have been absolutely exhilarating. I am excited to share this project... I am hopeful and confident that if nothing else, this will be something truly unique. It feels like progress to me and has gotten some notes out of me that I didn't know were there. That is always a good thing.
Album Description
2010 release from the acclaimed Jazz guitarist.Orchestrion is an adventurous "solo" recording that pairs the composer-guitarist with a phalanx of remarkable, custom-made instruments played via solenoid switches and pneumatics, resulting in the most original set of his career.
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| Customer Reviews:
Showing reviews 1-5 of 56
 I'm giving Pat a 'Hall Pass' on this one... January 29, 2010
F. M. Gauer III (Denver, CO)
48 out of 58 found this review helpful
I've got tickets for Pat's Orchestrion tour in May and I'm bringing my son who is 11 and just starting out his young percussion life. I can't wait to introduce him to one of the finer things in life: i.e. Pat Metheny's Music.
Do I wish he was touring with his band? Yes. Lyle Mays and rest of the crew. I would give anything for a chance to introduce my son to that very rare treat - live especially.
After listening to the Orchestrion CD for the first time, will this be worth it? I think so. I give Pat credit for trying something like this. What the heck: a multi-Grammy winner can step out a little bit I think. I agree with some of the other reviewers that it's definitely Pat, albeit 'mechanized mallet percussion Pat'. But it's okay. It's a project that's close to him and I can imagine the experience of seeing this setup live will be quite original and fun!
The CD is not going to shock and awe you. It's solid Pat Metheny - right on the money in terms of harmonics, improvisations, tonalities, and substance; he's attempting something different here in terms of instrumental backup. I'm giving Pat a 'Hall Pass' on this one. It's decent work!! Go for it Pat!!
There are many like me who slip a Pat Metheny CD into their player while driving to work (or wherever) and are instantly transported back to some of the finer times in their lives. I'm sure I share this sentiment with many, many other people. For this I can't thank Pat (Lyle and various other contributing artists) enough. Pat has laid the background track for many of our lives and it's been a good one. The vibrations have always been filled with inspiration, order, spirit, compassion, kindness, expression, and dare I say Loving Hope. And for the opportunity to let my son feel even a single bit of this, now through this Orchestrion effort, well so be it - I am thankful.
Thanks Pat for another chapter!!! Keep it going man!!!! You make me believe in things I can't see...
fascinating album February 9, 2010
tell it like it is (UK)
8 out of 9 found this review helpful
I won't go into any detail about the actual orchestrion itself. Other reviewers have done that very well and there are many links on youtube and Mr Metheny's website which explain and show how it works. Make no mistake though the orchestrion is a major progressive development technologically over the older versions and the player piano.
The orchestrion sounds uncannily like a group of musicians (that is how convincing this new invention is) It does sound somewhat different to Pat's varying ensembles but there are complex interactions going on on the macro scale as well as the micro scale of the music.
In a sense this is a kind of follow up to the old album 'new Chautauqua' On that album pat tried to use the studio as an instrument with overdubbed guitars etc to build up the songs. On that album probably due to the technology available and restricted studio time he came away with a very listenable album whose sparseness was highly appealing. On Orchestrion he is afforded a broader, richer pallette to work from and 20 odd years more musical experience.
The Orchestrion is a machine which has been humanised (or gives the illusion of such) It is a very tight but flexible sounding 'ensemble'all under the control of Mr Metheny.
I felt a little underwhelmed on first listen but several plays later this album really begins to grow in the memory. There are a lot of very complex things going on in this music, structurally, rhythmically and melodically & Pat plays some wonderful melodic solos over all of this.
Pat has always done his own thing musically and often taken some wide detours on his musical journey (Song X, Zero tolerance for silence, the sign of 4 etc) Orchestrion unlike those albums follows more in the footesteps of the PMG albums/'Secret Story' and 'the way up'. If the fans wish to follow that is up to them.
The songs on the album (all multi instrumental) have all the hall marks of a Metheny composition but the orchestrion allows him the personal freedom to change the songs often subtly and to do new things. There are new twists to a lot of the music here and like 'Secret Story' the spaces are often filled with great detail in the sound.
The first track is one of the many highlights on the album and is a little reminiscent of 'first circle' from the album of the same name. It builds to a wonderful climactic apotheosis. There are a lot of time changes in the songs which keeps the listener's attention also.
Some attention has been brought to the quality of the drumming/bass playing on this album, namely that it is not up to the standards of a Mcbride or a Sanchez. I think this is asking over and beyond the possibilities of Pat and the orchestrion. The bass and drumming segments are definitely more than functional within the compositional structure of the works here and while not sounding like a well honed bass/drummer do a very fine job. One has to remember the bass parts on albums like 'New Chautauqua' and 'As falls wichita...' which Pat played himself. Those were obviously not as good as a well crafted bass player but did the job within the context of the pieces. Overall critics have very positive things to say about this album. I'm sure if we get an 'Orchestrion 2' it will be even better than this one.
My only criticism of the album is that it feels too short (this is not the case though in reality it is around 54 mins) which indicates that the album is definitely engrossing.
Albums which are immediately likeable usually don't get played much ultimately (in my experience) This one though will certainly be played a lot. Sadly some fans seem to be somewhat resistant to this new device and change of Pat's, for those who decide to stay the course there are many rewards.
In the development of the orchestrion Pat stated in interviews that ultimately the 'music' does the talking. I think he has managed to do this to a high level.
I would recommend the full quality cd version (1411 kbps) mp3 doesn't really do the music justice.
Highly recommended.
Brilliant January 28, 2010
CJC
14 out of 18 found this review helpful
Just retrieved this work from the mailbox and am currently listening for the first time. One word...brilliant. Like many listeners, I've enjoyed Pat Metheny's genius and artistry since 1978. Is this work different?...yes, but not nearly as much as earlier offerings from Metheny. Orchestrion will not disappoint... just go get yourself a copy and enjoy another creative effort from this human gift. Support this artist while we have him!
Great Album February 3, 2010
Jason R. Stevens (Coral Gables, FL USA)
2 out of 2 found this review helpful
I've listened to the album at least 10 times now and am still loving it! If you're a Metheny fan go get a copy!
Amazing, Inspiring, Heartening April 15, 2010
N. Robbins
2 out of 2 found this review helpful
I got home from a live performance by Pat Metheny with his "Orchestrion" contraption tonight (at 1:49AM last night technically), and have to report inspiration, a new sense for what it means to be truly creative, playful, disciplined and talented, humble and graceful. The album is great, but you got to see this live if you can. He performed pieces from this album and other favorites from the past, and most importantly improvised for us. He did a spectacular Ornette Coleman sort of improv, and built a piece of music incrementally, from scratch, on the spot before our eyes. It was magic! Absolute magic! The album captures my imagination even more having seen the concert.
In a time when so many artists use digital instruments and techniques, this childlike fantasy-turned-reality creates an incredible warmth, poetry, and nostalgia. The scale at first seemed overwhelming, and then as the evening went on it evolved into something completely intimate and homegrown. There is a spectacular, very American touch of mid-western surrealism in the whole project. It's a creativity that comes from a familiar interior place, and is illuminating. I greatly look forward to the future this direction may lead. What heart!
Showing reviews 1-5 of 56
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